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Crushed Violets - Prologue

Crushed Violets - Prologue

Victoria has suffered many traumas in her lifetime. Some have left their mark, but now she has to tell her neice about her dead mother and the tragic circumstances that preceded her death. There are many secrets that Victoria has kept hidden for years. Can she survive their revelations? As she awaits her families arrival at their holiday home in France, she recalls her past hoping for some insight into how to handle the situation.

1

Crime / Suspense / Mystery / Thriller


author-small

G. Rosalyn West (United Kingdom)


CRUSHED VIOLETS - PROLOGUE

Victoria's pencil broke in half as tension overcame frustration. The sun’s brilliance bounced off the whiteness of her unmarked writing pad. The soft breeze rustled the papers edge, as she sat deep in thought.
“You bastard Laurie!” she shouted. She enjoyed venting her pent up rage, thrusting it into the empty space around her.
Victoria shut the writing pad with a snap, concentration flying out of the window as her anger welled up inside her. She pulled her body out of her favourite armchair, unwilling to accept the comfort it usually gave her. She didn't want comfort. She needed to feel the sharp winds of the Sussex Coast on a February afternoon, biting and needle sharp, giving her an edge.
Brittany in August was not Sussex in February, but it would have to do. She charged down a familiar path, walking out her anger through the rose arbor. She gained no pleasure from the cascading blossoms of pink and lemon or from the heady scent that assailed her nostrils. Victoria stood, breathless as she leaned over the old wooden bridge and stared at the stream that flowed gently beneath her. Her thoughts returned to the reason for her anxiety – her niece Emma.
Her own child would have been about the same age as Emma. They would have grown up together if things had been different. IF! IF! IF! Always if.... Victoria battled to control the anger and bitterness that crept into her thoughts, every time she delved into her past. She looked up at the cloudless blue sky, took a deep breath and forced herself to calm down.
“Why did I do it? I didn’t need to give my consent. I could have washed my hands of the whole bloody business! But there’s no escape now, not this time.”
She turned around and retraced her steps towards the lovely cottage that was her Brittany retreat. She stood for a while on the crazy paving leading to the French doors, looking up at its ancient façade. The solid stonewalls had faded to a pale honey over the years, welcoming you with its ambiance. The creamy Breton lace curtains at the French windows swept back like a pair of smiling lips. The two small dormer windows looked like a pair of eyes, hooded by tiny lopsided eyelids. It was part of her now.
On their honeymoon, her husband, John, had brought her here. After following some inaccurate directions, the car finally emerged into a small clearing and there, in the centre, nestled their honeymoon cottage. The sun shone down, dappling the creamy walls with dancing shadows of the surrounding pine and maple trees. A beautiful weeping willow brushed the moist banks of a meandering stream. The garden, which was filled to overflowing with brilliant flowers, surrounded the cottage which was perfect and typically Breton in style. As they entered, their nostrils thrilled to the rich smoky aroma of a thousand log fires. A curved oak staircase led the way to pretty pine clad bedrooms snuggling under the eves. It was perfection and they both fell in love with it.
Eight years later, after completing a very lucrative contract, Victoria had surprised her husband by buying it. At first John had been appalled by such extravagance, but soon saw the sense of having somewhere to escape to during the unpredictable English summer. Victoria argued amicably,
“Think of all the fun we’ll have when we retire. We can grow things; keep a goat or chickens or something.”
John laughed, “The pace that you consider to be a normal working pattern will almost certainly guarantee that you will never reach old age my darling.”
Now they reveled in their cosy retreat, returning as often as their busy lives permitted, to recharge their batteries. Their children, Andrew, Matt and Emma, all loved it, especially now they were older and independent.
The shrill sound of the telephone interrupted her thoughts,
"Hello", the crackle and buzz of a mobile phone connection assaulted her ears.
"Hi darling, we've just got off the ferry, be with you in about an hour and a half traffic permitting. How is everything?" John sounded slightly harassed, as he always did when driving on the wrong side of the road for the first time in months. Victoria smiled,
"Everything’s fine, you just concentrate on getting here in one piece. Have you got Madge and Emma with you?"
"Yes, they’re both here. The boys will be down later. Probably arrive early tomorrow morning.”
"Is Emma all right John?"
“She’s fine. Stop worrying will you, it'll turn you gray”
She could sense his smile and his quirky sense of humour about her prematurely gray hair was a standing joke between them.
"I'll see you in a little while then, drive carefully."

Later that afternoon Victoria stood in front of her bathroom mirror, refreshing her make-up. She pulled back her silvery gray hair and swept it up into a ponytail. Her hair had been this colour ever since she’d suffered a horrific car accident many years before. She reached for an emerald green ribbon that was the same colour as her eyes - to tie around the band.
John would be here soon with Emma and Madge. Victoria’s Aunt Madge, was sprightly for her seventy-four years; although she’d only admit to being the 'wrong side of sixty'. To Victoria she was the mother she had lost. Madge had always been there for her defending her against the hateful treatment of Victoria’s sister, Sylvia. Madge was a tigress, all of five foot tall with a rotund figure, constantly covered in a checked overall that had enormous pockets at the front, usually containing a biscuit or two.
Victoria was brought out of her daydreams as her nose breathed in the aroma of roast lamb. She looked around; everything was ready for their arrival. There was nothing left to take her mind off her problems. Her niece, Emma, would be here soon and the time for explanations was upon her. Her fears returned. How could she explain the past? Would she be able to make Emma understand? To tell someone so young such a fantastic tale, however truthful, may be too much.
Victoria had made a solemn promise to Laurie, Emma’s father, to tell her the brutal truth about her past, when the time came for her to inherit her parents’ money. That time had arrived. Telling Emma the whole truth was one of the conditions Laurie had made. At least Emma was now a sensible young adult and should be able to handle the unpleasant truth.
It had been very different for Victoria; she had lived through those times. Times she had wanted to forget. Before she met John, her whole life had been fairly precarious. Where to start? How to explain? From the very beginning? Where was the beginning? Was it the car crash that killed her parents? She had been too young to remember anything before that. Then there were the secrets she had to tell - unknown to her at the time – which she had kept hidden up to now, for everyone’s sake. Would Emma understand how things were when her mother Sylvia was young? Victoria dreaded being held responsible for the tragic things that happened so long ago. Her own suffering in the past would be nothing compared to the damage that could be inflicted on Emma. Emma remembered very little of her childhood. Nature saw fit to block it out of her memory. But the time had come for her to know exactly who she is.

The noise of a diesel car wafted through the window on a soft breeze. She ran on to the patio as John’s Range Rover came to a halt at the side of the cottage. Emma leapt to the ground as soon as the vehicle stopped and ran towards Victoria. Victoria’s heart jolted as a lovely young woman with dark blonde hair, silky and straight, came running towards her,
“Mum!” She ran into Victoria’s outstretched arms and hugged her tightly. Ever since she had been a young child, Emma had called Victoria, Mum. At about the age of nine she had hauled herself up on to the kitchen work surface and told Victoria that as she was the only one she could remember looking after her she wanted to call her Mum and did Victoria mind.
Every time Emma shouted ‘Mum’ it was music to her ears.
“God! I thought we’d never get here. I wanted to drive, but you know what John’s like,” she whispered. “You look wonderful. Not been working too hard have you? This is supposed to be our vacation, remember? Let’s go inside I’ve got so much to tell you!”
Victoria felt herself being swept up in the whirlwind of energy that was her niece. She allowed herself to be carried along, grateful for the delay.
“Me too darling – let’s get you unpacked first shall we? Then we’ll have a chat.”




Competition: Friendly feedback, Round 1

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Read Reviews

Review 1:


Compelling hook?

Fresh?

Strong characters?

Entertaining?

Attention to mechanics
  • You demonstrate a professional quality of writing throughout the story.
Narration and dialogue: Balance
  • Your story struck a good balance between narration and authentic dialogue.
Narration and dialogue: Authentic voice
  • Your characters’ voices were convincing and authentic.
Character conflict
  • The reader’s experience of the story is heightened when the characters’ goals, conflicts and purpose are clear. Perhaps giving this aspect of the story further attention could be worthwhile.
Plot and pace
  • Maintaining the right pace and sustaining the reader’s interest is a challenging balancing act. The story had a clear and coherent progression with a structured plot.
Opening line and hook
  • Your strong opening and compelling hook was a promise of wonderful things to come!

Review 2:


Compelling hook?

Fresh?

Strong characters?

Entertaining?

Attention to mechanics
  • You demonstrate a professional quality of writing throughout the story.
Narration and dialogue: Balance
  • There needs to be more balance between narration and dialogue. Avoid overdoing the narrative and remember that dialogue can diffuse long claustrophobic text.
Narration and dialogue: Authentic voice
  • Your characters’ voices were convincing and authentic.
Characterization
  • Make sure your characters are multidimensional. Do they have strengths and weaknesses? Mere mortals make the most interesting stories because they are like you and me and we are able to empathize with their journey. That’s how the connection with a character is formed.
Main character
  • Connect us to your main protagonist with a deeper characterization. Could your protagonist have a few more distinguishing character traits?
Technique and tight writing
  • The writing was tight and economical and each word had purpose. This enabled the plot to unravel clearly. Your writing exhibits technical proficiency.
Point of view
  • The story successfully solicited the reader’s empathy through the clever use of the narrator's point of view. You show great deftness in handling point of view.
General comments from your fellow writer 2:
Great story, I am intriuged to find out what happens next! You are very good at describing human interactions - eg. the phone conversation with her husband. I found the pace a little bit cumbersome at times, it got a bit bogged down in the middle. There seemed to be a lot of explaining history and the thoughts in Victoria's head. Perhaps you balance this out more somehow? The point of view was potentially awkward in at least one place: "On their honeymoon, her husband, John, had brought her here (past tense). After following some inaccurate directions, the car finally emerged into a small clearing and there, in the centre, nestled their honeymoon cottage (present tense). The sun shone down, dappling the creamy walls with dancing shadows of the surrounding pine and maple trees. A beautiful weeping willow brushed the moist banks of a meandering stream. The garden, which was filled to overflowing with brilliant flowers, surrounded the cottage which was perfect and typically Breton in style. As they entered, their nostrils thrilled to the rich smoky aroma of a thousand log fires. A curved oak staircase led the way to pretty pine clad bedrooms snuggling under the eves. It was perfection and they both fell in love with it." Obviously I realise what you've done, that you've told the story of them arriving as though it was present tense, but the reader understands it occurred in the past. Perhaps seek the advice of an editor on whether that is acceptable form to change tenses like that mid story? I would also love a bit more insight into Victoria's character. I love your opening paragraph, totally captivating! Very realistic, I can perfectly imagine this scene. The ending scene when the family arrive is also very strong. The sense of energy from Emma is palpable! Keep it up, can't wait to read more. :-)

Review 3:


Compelling hook?

Fresh?

Strong characters?

Entertaining?

Attention to mechanics
  • You demonstrate a professional quality of writing throughout the story.
Narration and dialogue: Authentic voice
  • Your characters’ voices were convincing and authentic.
Characterization
  • Your characters were multidimensional. I found them believable and engaging and they genuinely responded to the events of the story.
Main character
  • Your protagonist exhibited a unique voice and had original characteristics. Their actions and dialogue were convincing!
Character conflict
  • Your characters drew me into their world from the very beginning. Their goals, conflicts and purpose were clearly introduced and I wanted to find out more about them.
Suspense and conflict
  • The joy of reading often lies in the element of suspense prompted by internal or external conflicts. Your story makes compelling reading.
Technique and tight writing
  • When writing is tight, economical and each word has purpose, it enables the plot to unravel clearly. Try and make each individual word count.
Point of view
  • The story successfully solicited the reader’s empathy through the clever use of the narrator's point of view. You show great deftness in handling point of view.
Style and originality
  • Creating a unique writing style while maintaining quality of prose is tricky. As writers, we face the daunting task of making sure we are not being predictable. Can you find a way to give the content and characters more of a unique edge? Perhaps say something boldly, something fresh or show an unorthodox approach to a topic?
Atmosphere and description
  • A writer’s ability to create mood and atmosphere through evocative description is vital to the reader’s experience. It’s a real skill to craft out how the characters react to the setting and atmosphere and perhaps your story could go further in its description. The reader wants to experience the same sensory and poignant journey as the characters.
Authentic and vivid setting
  • The scene needs to be vivid and realistic in order to hold the reader’s attention. Being concise and plausible at the same time is tricky. Giving this further attention could perhaps be worthwhile.
General comments from your fellow writer 3:
The story so far reads well, although could have done with a little pruning. "Victoria was brought out of her daydreams as her nose breathed in the aroma of roast lamb." sounds wrong - replace 'nose' with - as she breathed in... - and it works or alternatively what about 'The aroma of roast lamb released her from the daydream...' There are a couple of places where sentences could be modified, less wordy and thus more precise. After finishing and re-reading, I thought too much had been given away too early. The environment sounds beautiful. I am often preoccupied with setting in my own writing. I believe environment can play a big part in the telling of a story. More descriptive narrative of the house and landscape would be good; leading to hints of what was to come as she waits for the arrival of her family. You can can convey much with less. I would like to see the setting inform the characters motivations and feelings. You already do this with Victoria sacrificing comfort for the cold outdoors. I think that works and would like to see more. You could do worse than take a page out of Bronte's 'Wuthering Heights'. Cathy's internal dialogue about the moors, for instance, is evocative and revealing of her feelings about Heathcliff. There is potentially good drama in the story so far, and I wish to know more.