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Trekking

Trekking

Gender interplay gets serious in a Tasmanian wilderness.

1

Literary fiction


author-small

Karen Lethlean (Australia)


~~Trekking
He must know best, waving away maps like those at the information centre, whispering to her what a rip-off they were. Even from their earliest emails he seemed a “National Geographical” on so many things, in particular the walking trails. Then he’d taken her into the wilderness photo gallery, full of hushed people gazing at big landscape photographs that made everything look mysterious and majestic. He’d walked around with her making suppressed noises of irritation and disbelief.
‘Look at this – meant to be the showcase of Australian contemporary photographic artists – but see that?’ An agitated thumb is directed towards the images. ‘They’ve been Photo-shopped for sure, so easy to do, most people wouldn’t be able to tell the difference. Whoever’s running this place doesn’t know a good photo. Be no reaction even if it bit them on the arse.’
She’d watched him stride around the gallery, his arms folded. He knew about tons of things, she could tell. Like the way he’d shown that card to the woman at the Hobart gallery and she’d taken them into that special vault. Not open to the public. He’d mumbled something about work contacts.
Now he was walking as though she was just an acquaintance, not continually asking her if she was alright, what aspects of the scenery she liked. Not ignoring her, but just letting her find her own pace and not expecting to keep up a conversation with him. There was no hint of the running commentary he’d given at various exhibitions. The trail was hard; climbing those long, steep inclines with a pack on, into the wind – a lot harder than she’d thought when she’d packed it and tried it on in her bedroom before she’d left. It had felt, then, like something she could heft easily, but now especially when they’d had to slog up the mountain out of the valley to Crater Lake, her pack seemed full of bricks. He’d told her to prepare with a small day pack loaded with telephone directories; at the time this appeared over-kill, now she was beginning to wish she hadn’t been so dismissive.
Straps were rubbing her shoulders too; she would have chaffing later for sure. But Terry had already mentioned that his first aid kit included some lanolin for the inevitable pressure point areas. He’d prepared for eventualities she couldn’t even begin to imagine.
It was funny thinking she was carrying everything she needed on her back; she could put up her tent and crawl in and be warm inside her sleeping bag. But this was getting ahead of herself there was a long way to go yet.
They encountered light drizzle, but it didn’t seem to soak in, just imbibed everything with a damp smell.
She looked up now they were higher, and the track had flattened out; she could catch her breath and concentrate on walking. Run over in her head what had happened so far, like asking a child what part had been enjoyed the most? They’d started off in tussocky grass, button grass, she’d seen it on internet images, but walking here was sensi-surround, nothing like when you gazed at pictures. Later she would find seeds trying to plant themselves in her socks, even breaking through to skin. Terry had said to get those ankle cover things like the men who mow lawns wear. But this had felt too work-man-ish.
She was conscious of the delicate, pristine environment, and wanted to just stop to breathe it in. Began to understand why those ‘greenies’ fought so hard. But you couldn’t just step off into it, everyone was still at a distant, like walking through a film’s panning wide shot. You could not even put your feet onto the ground. This was not like being able to bury your limbs in beach sand. Then run it through your fingers. Yet she noticed small things, how the snow gums had a pattern, a bark patchwork, largely flame shapes. They rested beside a tiny stream; here they could take their shoes off and put toes into the icy water. She felt this must be doing her good; blood or any fluids even that nasty swollen feeling being drawn away. Why hadn’t Terry taken his shoes off?
They had passed some bushfire damage; pale almost colourless windswept grass, craggy rocks and dead trees sticking out of the ground like skeletal fingers. No flesh left behind, just the bones. The tree trunks seemed completely bare and bleached white by the sun in this thin mountain air.
Walking again, she looked up at the track ahead, and the brightly clad walkers strung out along it, all of them made tiny by the landscape’s hugeness all around them. Susan had never seen anything like it. It was just enormous, gob-smackingly vast. No point holding up your phone to get a picture, the place overwhelmed that tiny screen. Even those dramatic images in the wilderness photo gallery fell short of being out here; dropped into a calendar, no, more like a giant frieze. You couldn’t capture even a fragment of its detail. Up at the lookout, grateful along with everyone else to let her pack slip to the ground for a break, she’d gazed out over the vista rolling into its vanishing point and the lake far below them, and felt dizzy, slightly high. The sky seemed to press down and the ground seemed to press up, jamming her in the middle like a tiny speck, a minuscule troublesome piece of dust, like something tossed up from a sea bottom to bother a huge oyster. One step off that fragmented rock edge and you’d bounce like a speck too, all the way down to infinity.
She felt a weird momentary sensation of wanting to jump. The sloping distance was tilted up in a sly magnetic invitation, reached out to pull her over and down. How would it feel? Not clean like bungy jumpers off building or bridge, swan-diving through empty air, but shades of the falling man 9/11 image. Here amid these peaks you’d connect, over and over, breaking with each impact, the agony real and unstoppable. If you jumped it would have been voluntarily, that’s what would stun your friends and family. They would never understand that you’d have had the unflinching courage to step off.
Looking up at the ring of crater above, a rock formation reminiscent of a dragon spine ridge tops. Here stunted trees looked like they are in pain. She can feel it too, being weighed down by the pack, having to lumber that load up again. Susan told her legs to get ready for another round of pain.
She felt defeated, it would be wrong to give up now. This adventure was just beginning, she was so glad to be here. When Terry had brought it up, this seemed too adventurous, too physical, but now she felt her efforts were so worth it, while he had been the catalyst, Terry had begun to become invisible, insignificant. Not even worth a thought when compared with the hot tingle in all her nerve ends. The landscape was impressing her in a way he never would, nor any lover.
That frame of mind was probably why Susan failed to notice that Terry wasn’t with the group anymore. Not really her problem, a missing walker was something for the guides to contemplate and act upon. When his absence finally infiltrated her mind, she just put it down to the whole idea that somehow the majesty of this landscape had taken away his power, reduced him to just another mere human walking clearly gouged trails through this magical country. Or the man had been reduced even further, until no longer there.
Before they had even begun he had been going through her bag tossing out things that she did not need to bring. He was so annoying, grating her nerves as if Terry was someone that knows everything about everything. Would he be throwing things out of their tent, out here, littering up the trail?
This morning they had argued again. She had threatened to wander off, alone. Susan wants to – but that would be stupid. They have paid all that money to do an organized trek. Imagine being lost up here, beyond any mental picturing. No wonder escaped convicts stooped to cannibalism, and returned to their cells rather than stay out here, alone.
Along with whispers about what had happened, where Terry had vanished to, were sinister night noises from invisible threats. Sounds that guides reassured were possums or Tasmanian devils. Susan thought they could keep Terry company better than her, wherever he was.


Competition: Friendly feedback, Round 2

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Read Reviews

Review 1:


Compelling hook?

Fresh?

Strong characters?

Entertaining?

Attention to mechanics
  • The grammar, typography, sentence structure and punctuation would benefit from a further round of editing to avoid distracting from the quality of the story.
Narration and dialogue: Authentic voice
  • Your characters’ voices were convincing and authentic.
Characterization
  • Your characters were multidimensional. I found them believable and engaging and they genuinely responded to the events of the story.
Main character
  • Your protagonist exhibited a unique voice and had original characteristics. Their actions and dialogue were convincing.
Character conflict
  • Your characters drew me into their world from the very beginning. Their goals and conflicts were clearly conveyed.
Plot and pace
  • Maintaining the right pace and sustaining the reader’s interest is a challenging balancing act. The story had a clear and coherent progression with a structured plot.
Technique and tight writing
  • The writing was tight and economical and each word had purpose. This enabled the plot to unravel clearly. Your writing exhibits technical proficiency.
Authentic and vivid setting
  • The setting was realistic and vivid. The characters’ mood and emotions were conveyed successfully through the believable setting.
General comments from your fellow writer 1:
You can definitely write! The story had a distinctive tone and atmosphere, and was very believable and engaging. I'd want to read more of your work. There were a few small technical faults, which undermined my enjoyment a bit, but don't let that bother you because I'm a particularly picky reader, and anyway the faults would be easy to fix with another round of editing. So well done! I've picked out some of the minor glitches below to give you an idea of what I mean. I hope it helps. 1) There are a few places where you include words that could be left out without any loss of meaning or style. Eg 'tree trunks' could just be 'trunks', 'litter up' could just be 'litter', and so on. 2) There are a couple of words that I think you've used accidentally in a wrong sense. For example, 'imbibe', where I think you meant 'imbue'. 3) I wasn't sure I knew your intended meaning in a couple of the sentences, particularly the final one.

Review 2:


Compelling hook?

Fresh?

Strong characters?

Entertaining?

Attention to mechanics
  • You demonstrate a professional quality of writing throughout the story.
Narration and dialogue: Balance
  • Your story struck a good balance between narration and authentic dialogue.
Narration and dialogue: Authentic voice
  • Your characters’ voices were convincing and authentic.
Characterization
  • Your characters were multidimensional. I found them believable and engaging and they genuinely responded to the events of the story.
Main character
  • Your protagonist exhibited a unique voice and had original characteristics. Their actions and dialogue were convincing.
Character conflict
  • Your characters drew me into their world from the very beginning. Their goals and conflicts were clearly conveyed.
Plot and pace
  • Maintaining the right pace and sustaining the reader’s interest is a challenging balancing act. The story had a clear and coherent progression with a structured plot.
Suspense and conflict
  • The joy of reading often lies in the element of suspense prompted by internal or external conflicts. The build-up was intriguing and I felt the tension mounting with each word.
Technique and tight writing
  • The writing was tight and economical and each word had purpose. This enabled the plot to unravel clearly. Your writing exhibits technical proficiency.
Point of view
  • The story successfully solicited the reader’s empathy through the clever use of the narrator's point of view. You show great deftness in handling point of view.
Style and originality
  • I loved your fresh approach. Creating a unique writing style while maintaining quality of prose requires both skill and practice.
Atmosphere and description
  • Your story was a feast for the senses. The atmosphere wrapped itself around me and transported me onto the page alongside your characters.
Authentic and vivid setting
  • The setting was realistic and vivid. The characters’ mood and emotions were conveyed successfully through the believable setting.
Opening line, paragraph and hook
  • Great stories, nowadays, start with a powerful opening line and compelling hook in order to keep the reader engaged. Have you baited the reader enough?
General comments from your fellow writer 2:
I absolutely love your story! I hope to see more from you one day!

Review 3:


Compelling hook?

Fresh?

Strong characters?

Entertaining?

Attention to mechanics
  • You demonstrate a professional quality of writing throughout the story.
Narration and dialogue: Balance
  • There needs to be more balance between narration and dialogue. Avoid overdoing the narrative and remember that dialogue can diffuse long claustrophobic text.
Narration and dialogue: Authentic voice
  • Your characters’ voices were convincing and authentic.
Characterization
  • Make sure your characters are multidimensional. Do they have strengths and weaknesses? Mere mortals make the most interesting stories because they are like you and me and we are able to empathize with their journey. That’s how the connection with a character is formed.
Main character
  • Connect us to your main protagonist with a deeper characterization. Could your protagonist have a few more distinguishing character traits?
Character conflict
  • The reader’s experience of the story is heightened when the characters’ goals, conflicts and purpose are clear. Perhaps giving this aspect of the story further attention could be worthwhile.
Plot and pace
  • Maintaining the right pace and sustaining the reader’s interest is a challenging balancing act. The story had a clear and coherent progression with a structured plot.
Suspense and conflict
  • The joy of reading often lies in the element of suspense prompted by internal or external conflicts. Think about the conflict and tension in your story. How effectively has it been introduced?
Technique and tight writing
  • The writing was tight and economical and each word had purpose. This enabled the plot to unravel clearly. Your writing exhibits technical proficiency.
Point of view
  • The story successfully solicited the reader’s empathy through the clever use of the narrator's point of view. You show great deftness in handling point of view.
Style and originality
  • Creating a unique writing style while maintaining quality of prose is tricky. As writers, we face the daunting task of making sure we are not being predictable. Can you find a way to give the content and characters more of a unique edge? Perhaps say something boldly, something fresh or show an unorthodox approach to a topic?
Atmosphere and description
  • A writer’s ability to create mood and atmosphere through evocative description is vital to the reader’s experience. It’s a real skill to craft out how the characters react to the setting and atmosphere and perhaps your story could go further in its description. The reader wants to experience the same sensory and poignant journey as the characters.
Authentic and vivid setting
  • The setting was realistic and vivid. The characters’ mood and emotions were conveyed successfully through the believable setting.
Opening line, paragraph and hook
  • Your strong opening was a promise of wonderful things to come!
General comments from your fellow writer 3:
The key issue with this short story was a lack of conflict. The writer has an undeniable skill with words, command of language, vision for story and sense of realism but a final ingredient is required. If I were to conjure a metaphor that could most easily represent this piece, it would be a beautifully sculpted blunderbuss. The writer has a bag of pellets but no gunpowder to set the thing off. This is a commentary, what we, the readers require, is a tragedy, a travesty or some kind of explosive incident in the way of the character. Then her trek has true meaning and true motivation too.